代价与损失，

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阿拉接触糙圈子还下面的那些更糙的圈子，有趣吧，你感觉在作坊里就够低的了，其实，还有更低的东西，地板下面还有地板，哈哈

中国的经济形势是瞬息万变的，早年煤不值钱，萧条过一个时期，突然就冒出了大量的煤老板，当然，还曾经冒出不少的油老板，阿拉一看那就是作死，私人玩油，是死的过，玩煤没事情，哈哈，最终，油老板被一网打尽，一个都没剩下，

  风云变幻之际，大量的‘煤转钢’，就是玩煤发财了，转向钢铁行业，就是糙圈子升级，哈哈，人家问，兄弟玩钢是吧？我说，看你具体想玩什么了，哪有全都明白的家伙，你要玩的东西，正好阿拉懂，玩过，就可以给你玩，因为经济形势发展忒快，不能你上一半经济逆转了，你不倾家荡产了吗？

  有一点，那就是兄弟你念了这么多书，玩了这些东西，肯定耽误了大量其它时间，对吧？俺说，你说对了，还就是这样，是损失了大量本该干别的时间，但能如何，还不是为了生计考虑？啥都玩不了，不是挨饿了吗，一家老小怎么办？人的一辈子肯定损失许多的东西的，

  糙圈子，一个显著特点，就是只要谈完正经事情，马上就跑题，哈哈，常谈到他们上过最贵的马，哈哈，华人本色，他们不烦恼吗? 你感觉有钱不烦恼，其实也很烦恼，到一个程度，进不去另外一个圈子，看见外面的马照跑，搭不上了，哈哈，笑的阿拉很厉害，

  各种事情，都会造成损失的，这就是生活的代价，海雕玉米与国虎有许多特大的区别，强调‘我自己’，汉虎不是的，汉虎的自己基本是一种自私，哈哈，海雕的小玉米，有学工业的，有学勘探的，就像艾米丽哈恩那般疯狂的，

  前些年，玩矿的时候，见到一个，年纪很小的，但很疯狂的，喜欢各种健康博雅，近乎疯狂，哈哈，人家说，她过几年以后要去非洲，走之前就都切干净了再去，哈，希望活着回来，以后还能写书描述经历，哈

   阿拉听得脊柱都强直了，哈哈，人家说，其实也没有什么，现代医疗条件，小问题了，如此，就可以自己离开营地，自己单独驾四驱大皮卡肆意奔驰大草原了，早上把工具箱搬上车，就跟行走在纽约一样了，哈哈，

    赛斯纳降落的时候，公司通知附近大小酋长与游击组织，赛林娜按你们规矩切干净了，别骚扰了，哈哈，各路蟊贼就罢手了，哈哈，

    但你想，郑和跟随成祖爷永乐帝鼎定河山以后才切的，那时医疗条件，多痛苦啊，就为了能随时给皇上汇报工作，哈哈，这代价忒大了，哈哈，阿拉就不以为然了，哈哈，

    念书是不是痛苦啊，肯定的阿，在中国这个社会环境条件下，人家都那样，你没有那样还念书，就是和尚内心都苦啊，哈哈，因为诱惑忒多了，

    说到代价，阿拉要是妞，就不会为了自己有些经历而如此，哈哈，显然代价过大，想到此，还是博弈好啊，念书就不痛苦了，， 阿拉跟人家玩物探的说，人家不以为然，说，你没生在非洲，你不能体会，当地都切，哈哈，那什么医疗条件了，一死死一堆，人命值啥钱啊，哈哈，

    生活粗糙吧，许多东西你原本感觉粗糙，其实你生活挺好的，有人要切你唧唧吗，哈哈，还不好好念书，哈哈

大色猫

我念书的经历。非常非常非常辛苦。

迷茫的维修

哈哈，最近遇到一个30岁的女人。

首先要考虑房子，
不可能没有房子也结婚吧。最少也得有首付。

其次是男方家庭关系。

最后，才是这个男人能不能赚钱。
哪怕你说你一个月赚两万，攒首付也得五年，谁等的起。

30岁的女人，没时间折腾了。

山东土狗

Emily Hahn 精彩到令人流口水的人生。
Her years in Shanghai, China (from 1935 to the Japanese invasion of Hong Kong in 1941) were the most tumultuous of her life. There she became involved with prominent Shanghai figures, such as the wealthy Sir Victor Sassoon, and was in the habit of taking her pet gibbon, Mr. Mills, with her to dinner parties, dressed in a diaper and a small dinner jacket.

Supporting herself as a writer for The New Yorker, she lived in an apartment in Shanghai's red light district, and became romantically involved with the Chinese poet and publisher Shao Xunmei (Sinmay Zau).[5][6] He gave her the entrée that enabled her to write a biography of the famous Soong sisters, one of whom was married to Sun Yat-sen and another to Chiang Kai-shek.[1]

Hahn frequently visited Zau's house, which was highly unconventional for a Western woman in the 1930s. The Treaty of the Bogue was in full effect, and Shanghai was a city divided by Chinese and Westerners at the time. Zau introduced her to the practice of smoking opium, to which she became addicted. She later wrote, "Though I had always wanted to be an opium addict, I can't claim that as the reason I went to China."

After moving to Hong Kong, she began an affair with Charles Boxer, the local head of British army intelligence.[1] According to a December 1944 Time article, Hahn "decided that she needed the steadying influence of a baby, but doubted if she could have one. 'Nonsense!' said the unhappily-married Major Charles Boxer, 'I'll let you have one!' Carola Militia Boxer was born in Hong Kong on October 17, 1941".

When the Japanese marched into Hong Kong a few weeks later Boxer was imprisoned in a POW camp, and Hahn was brought in for questioning. "Why?" screamed the Japanese Chief of Gendarmes, "why ... you have baby with Major Boxer?" "Because I'm a bad girl," she quipped. Fortunately for her, the Japanese respected Boxer's record of wily diplomacy.[citation needed] She was not interned since she had stated she was legally married to Shao Xunmei on a document, and therefore the Japanese treated her as, in the words of Taras Grescoe of The New Yorker, "an honorary Asian".[7] Hahn stated that Shao's wife approved of the document since it was a possible method of saving his press and that Shao had not been married "according to foreign law".[8]

As Hahn recounted in her book China to Me (1944), she was forced to give Japanese officials English lessons in return for food, and once slapped the Japanese Chief of Intelligence in the face. He came back to see her the day before she was repatriated in 1943 and slapped her back.

China to Me was an instant hit with the public. According to Roger Angell of The New Yorker, Hahn "was, in truth, something rare: a woman deeply, almost domestically, at home in the world. Driven by curiosity and energy, she went there and did that, and then wrote about it without fuss."[9]